Boom Tactical Guns BUNDLE

Description

CARRIED BY POLICE. ISSUED TO ARMIES. STOLEN BY CRIMINALS.

When a script calls for a detective’s sidearm, a squad’s service rifle, or the gun a criminal actually carries, most libraries hand you gunfire sorted by caliber, with no sense of who would use it or why. TACTICAL GUNS starts from a different premise: every one of its 25 weapons is carried by police, issued to armies, or used by criminals. One purchase covers a police procedural, a military scene, and a criminal underworld sequence, each one built from the actual weapons those characters would carry, with matched handling recorded for almost every one.

Carried. Issued. Stolen.

Every weapon in TACTICAL GUNS is one carried by police, issued to armies, or used by criminals. That’s the reason each weapon made the list, not caliber or category alone.

Matched Handling, Weapon by Weapon

Almost every weapon ships with its own recorded handling: grab, mag change, safety, reload. That’s the sound before the shot, the detail that makes a character read as competent, or desperate, before they ever fire.

Twenty-Eight Channels, Multiple Distances

Every shot is captured across up to 28 channels, from point-blank out to 100 meters, delivered across eight named perspectives. Cut between an interior take and a rooftop vantage point using material actually recorded for that perspective.

Built for Any Production Pipeline

UCS-tagged metadata keeps every weapon and fire mode addressable across DAWs, video editors, and game engines alike. For tactical and law-enforcement titles specifically, individual shots stay triggerable for event-driven, physics-based systems.

Tactical Guns – Construction Kit

Every Shot, Multiple Distances, Multiple Perspectives

Every weapon was recorded firing at multiple distances, from point-blank out to 100 meters, captured across up to 28 channels and delivered across eight named perspectives: Collar and Wrist at 0m, AB pairs at 1m/2m/3m, MS pairs at 5m/15m, XY pairs at 5m/100m, Ambisonic (AmbiX) at 50m, and a high/low ORTF3D array at 20m. The same shot is available close and distant, narrow and wide, mono to spatial 360° surround..

Authentic Weapon Handling

Nearly every weapon in the library ships with its own recorded handling: grabbing the weapon, adjusting grip, working the safety or mode selector, loading and unloading the magazine, and reloading at two speeds. Two weapons use disclosed substitute handling instead of a dedicated session: the Kel-Tec KSG uses SPAS-15 handling, and the Tavor TAR-21 uses AKS-74U handling.

Tactical Guns – Designed

Close, Distant, Heavy, and Mechanical Mixes

The Designed layer contains 850+ pre-assembled sequences per weapon category (assault rifles, machine guns, pistols, rifles, shotguns, and submachine guns), each mixed as Close, Distant, Heavy, and Mechanical variants across single shots, bursts, and full auto.

Built From the Same Construction Kit Elements

Every Designed sequence is built from the same shot and handling recordings available in the Construction Kit, not separately produced, so the mixes reflect the same weapons and the same recorded detail throughout the library.

Construction Kit and Designed Content Combined

The Bundle includes the full Construction Kit (every shot and every handling recording, across all 25 weapons) plus the complete Designed layer, at a reduced combined price. It’s the right choice for sound designers who want both the raw material to build scene-specific gunfire from scratch and the pre-mixed sequences to drop in under deadline.